music

Finally! A second part of the legendary African Scream Contest compilation which really put Analog Africa on the collector’s map back in 2008. Samy Ben Redjeb has done another sterling job in reviving these cuts from Benin & Togo for posterity and parties everywhere, not to mention officially licensing all the material on board; including heavy funk ’n soul fire in Les Sympathics de Porto Novo’s A Min We Vo Nou We, on the driving disco-funk bubble of Moulon Devia from Orchestre Poly-Rythmo de Cotonou, some nerve-jangling funk from a clearly James Brown infatuated Super Borgou de Parakou, and the melting synths on Gnonnas Pedro and His Dadjes Band’s How Much Love Naturally Costs. Class is in session!

Debut album from the Detroit Hip Hop group produced by J Dilla

3 (also known as NV3) is the third studio album by the French band Nouvelle Vague. It was released 16 June 2009 on Peacefrog Records. As with their previous releases, the album consists entirely of cover versions of post-punk and new wave songs from the 1970s and 1980s. Four of the tracks are performed as duets, featuring the song's original vocalist performing alongside one of Nouvelle Vague's female singers.

Far Out Recordings reissues Manfredo Fest’s 1976 jazz-funk masterpiece ‘Brazilian Dorian Dream. Legally blind from birth, Brazilian keyboard player and composer Manfredo Fest contributed to a number of great recordings during the sixties and seventies, both as a solo artist and with the group Bossa Rio. London’s Far Out Recordings has just reissued, what arguably might be his greatest recording, in his 1976 jazz funk masterpiece Brazilian Dorian Dream.

Gone Clear, is the quintessence of reggae and groove, as only Manu Dibango can conceive them. After a stay in Nigeria and a great tour with the Ivorian Radio-Television Orchestra, the Cameroonian saxophonist landed for the first time in Kingston, Jamaica, in 1976. Just a few steps away from Bob Marley's home (taking the time to greet him every day on his way to the studio to say “hello”!).

Gyedu-Blay Ambolley was born on the 11th Street in Sekondi, Ghana 72 years ago. on the cover photo you can see on the right side the house of his birth which was also his parental home. The Ghanian legend’s latest release shows off a pride of heritage, and his honed talent for mixing highlife with other genres like rap, Afro-funk and Disco.

A first ever retrospective of one of Ghana’s golden generation of highlife and Afrobeat artists, Ebo Taylor. The compilation covers his full career from his time leading Apagya Showband to work with Pat Thomas, side bands Uhuru-Yenzu and The Pelicans and solo hits including ‘Love And Death’.

Called 'Curiosities', this album represents the 15th anniversary of the French music makers. Their name 'Nouvelle Vague' means 'new wave' in French and this album is full of covers given a very interesting new twist.

Nouvelle Vague is the debut studio album by the French band Nouvelle Vague. It was first released on 9 August 2004 on Peacefrog Records. The album consists entirely of easy listening and bossa nova versions of songs that were written and recorded during the post-punk/new wave era.

Return to the 36 Chambers: The Dirty Version is the solo debut album of American rapper and Wu-Tang Clan member Ol' Dirty Bastard, released March 28, 1995 on Elektra Records in the United States. It was the second solo album, after Method Man's Tical, to be released from the nine-member Wu-Tang clan, following the release of their debut album. Return to the 36 Chambers was primarily produced by RZA, with additional production from Ol' Dirty Bastard, and affiliates True Master and 4th Disciple. The album features guest appearances from Wu-Tang members GZA, RZA, Method Man, Raekwon, Ghostface Killah and Masta Killa, as well as several Wu-Tang affiliates and Brooklyn Zu.