The ghost of Miles Davis (mid 1970s edition) hangs over much of the proceedings, thanks mainly to the presence of Andy Knight's quicksilver, effects drenched trumpet; the opening title track is a slow burning slice of dystopian funk laced with lysergic electronic touches and gurgling electric bass. 'In Rhythm' is a deep, funky, juggernaut that doesn't really let up for much of its 7 minutes.

Powered by Lascelle and Frank Byng's twin drum attack (part Can, part James Brown), the track feels like a distant cousin to the Art Ensemble's 'Theme de Yoyo'.

Underpinned by fat globs of synth bass, the extraordinary Maggie Nicols riffs, chants and eventually lets rip with a series of whoops and shrieks before the track fades out. Recorded by Primal Scream/My Bloody Valentine engineer Brian O'Shaughnessy pretty much live in one room, it's an intense ride.